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道家思想對(duì)尤金.奧尼爾后期作品的影響
畢業(yè)論文
The Daoist Influence on the Late Plays of Eugene O’Neill
Abstract
Eugene O’Neill is the greatest American playwright in the 20th century. He led the modern U.S theater into the mainstream of the world drama and was the father of American drama. Some critics hold that Orientalism is one of the most important and distinctive aspects of O’ Neill’s art. Among the Oriental thoughts, Taoist influence on him was profoundest and lasting. This thesis studies O’Neill and Taoism systematically and extensively. His late plays are the climax of his Taoism which is his ultimate pursuit of his faith and arts. O’Neill affirms the Taoist principles of “Non-action” and “Cycle” by the theme of pipe dream. By reading these plays in his late periods, it analyzes the general trend of O’Neill’s Taoist ideas. It puts forward and proves that the great influence of the Tao of Lao Tzu and Chuang Tzu on the O’Neill’s plays. The Tao is the ultimate pursuit of O’Neill’s attitude towards life, way of life and faith.
Key Words: Eugene O’Neill; Taoist; The Iceman Cometh; The Long Day’s Journey into Night
摘 要
尤金•奧尼爾是美國(guó)210世紀(jì)最著名的現(xiàn)代劇作家。他為210世紀(jì)初的美國(guó)戲劇能進(jìn)入世界戲劇的主流發(fā)揮了巨大的先驅(qū)作用,被譽(yù)為 “美國(guó)戲劇之父” 。東方特色的奧尼爾藝術(shù)中最重要而且最顯著的1個(gè)方面。然而在各種東方思想中,中國(guó)道家思想對(duì)奧尼爾的影響又是最深遠(yuǎn)的。他的后期作品都結(jié)合了他的終身信仰——道家思想，他深受道家“無(wú)為”和“循環(huán)”的影響。 因此,本文通過(guò)道家思想對(duì)奧尼爾后期作品的影響而進(jìn)行研究。通過(guò)解讀奧尼爾后期兩部偉大著作《送冰的人來(lái)了》和《進(jìn)入黑夜的漫長(zhǎng)旅程》,分析了奧尼爾后期作品中體現(xiàn)的道家思想意識(shí), 從而提出并證明中國(guó)哲學(xué)道家思想對(duì)奧尼爾戲劇創(chuàng)作的深遠(yuǎn)影響。
關(guān)鍵詞: 尤金•奧尼爾、道家思想、《送冰的人來(lái)了》、《進(jìn)入黑夜的漫長(zhǎng)旅程》
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