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漢語言文學畢業論文(絕對原創)
也無風雨也無晴——從《玉卿嫂》到《永遠的尹雪艷》看白先勇的命運意識的轉變 內容摘要偉大的作家必然在他的作品中融入個人的生命體驗，而偉大的作品也必然反映著作家的心靈感悟．作家白先勇和他的作品無疑體現了這一點．白先勇的命運意識隱含在他的作品中，從初探到成熟，在具有代表性的文本的對比分析下，我們可以清晰地發現白先勇命運意識由懵懂到覺醒，由困頓到覺悟，由挫折到命定，由激烈到平淡的轉變的軌跡。作者認為人的命運一般由兩部分組成：造化賦予人的命運和人自身對命運的態度。本論文的正文論述將從三個角度對白先勇的命運意識作詳細分析：第一部分主要是看作者怎樣為主人公安排命運的，因為這種安排也反映了作者命運意識的走向，也正是在這樣的安排中我們也能發現作者的良苦用心。同時我們又可以發現作者的精心安排由于他意識的轉變而有所改變；第二部分主要是看作者筆下的人物如何看看待人生，如何來對待作者為她們安排的命運。從她們的人生態度里，我們可以看出作者命運意識流變的全景。盡管安排人物命運和人物的人生態度都是出自作者筆下，反映的卻是作者的態度和意識。第三部分主要是從作者的寫作方式和角度看作者命運意識的轉變，這往往最能說明作者的意圖。本文主要是論述白先勇在小說創作過程中流露出的命運觀的轉變。付費論文，節選，不要罵我。敬請關注，我在想辦法搞整篇論文。[2006.8.25] : 對不起大家了,今天才想起這事來,付費論文太貴了,只好推薦一篇免費的論文:漢語言文學畢業論文(免費)
Abstract
Great writer by all means melt into the individual experience personallies of the life in his work, and great of destiny consciousness that mind that work also by all means reflect the author to disillusion. the writer Baixianyong is with his work doubtless now this point. Baixianyong is implicit in his work, from investigate to mature, under the contrast analysis that have the text of the representative this, we can clearly discovers baixianyong destiny consciousness from the Disunderstanding to come to, and be arrived by exhaustedly to the disillusion, from the frustrate the destine, and be arrived by vehemence mild change of trace. The destiny that author think the person is general to be constituted by two parts: The nature that build the destiny gives the person with the person's oneself attitude towards destiny. Text that destiny consciousness that this thesis discuss will from three angle dialogues Baixianyong make the detailed analysis: The first the part primarily see the author to how line up the destiny for host public security official of, because this kind of the arrangement also reflected the author destiny the consciousness's alignmented, and also exactly at the arrangement that like this inside we also can author is discovered good and bitter diligently. We can again discovers author of with meticulous care arranging because of the change of his consciousness at the same time but have the changes; The second part primarily is which see author's style of writing how person is seen act towards people to living, and how to come treating the author the destiny that arrange for them. From the attitude of their human life, we can see the author destiny consciousness the panorama that change. Despite human life attitude that arrangement person the destiny all come from the author's style of writing with the person, and reflect of however is the author's attitude with the consciousness. The third part is to primarily is a method from the composing of author to see the author destiny the consciousness's change with angle, and this can usually and most explain the author's intention. This text primarily discusses the baixianyong the change of the destiny that show unintentionally in the cloak-and-dagger artistic process.
關鍵詞：命運 意識 轉變 key words：Distiny Consciousness Change 論文出處(作者):
訓詁學性質研究述評
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