人生如戲戲如人生—試論張愛(ài)玲和她的劇本創(chuàng)作

人生如戲戲如人生—試論張愛(ài)玲和她的劇本創(chuàng)作

摘 要

從研究本身著眼，對(duì)張愛(ài)玲作品的研究大都注重張氏40年代的小說(shuō)創(chuàng)作，對(duì)她在香港及海外的劇本創(chuàng)作相對(duì)忽視，這是不利于全面認(rèn)識(shí)張的創(chuàng)作道路和成就的。張愛(ài)玲1生喜愛(ài)電影，劇本寫(xiě)作和她的文學(xué)追尋之路不僅不相悖，反而結(jié)合她對(duì)圖像、舞臺(tái)、文字的敏慧反應(yīng)，化為1種綜合性的創(chuàng)作。在這當(dāng)中她的天賦得以發(fā)揮無(wú)遺。

關(guān)鍵詞：張愛(ài)玲；傳奇；劇本創(chuàng)作

ABSTRACT

From studies itself focuses, mostly pays great attention to the Zhang Ailing work research the Zhang for 40s the novel creations, to her in Hong Kong and overseas play writing relative neglect, this is disadvantageous the creation path and the achievement which open to the comprehensive understanding. The Zhang Ailing life affection movie, script writing and her literature tracks down the road not only not to disobey, instead unifies her to the picture, the stage, the writing the response, changes into one kind of comprehensive creation. Her talent can display in the middle of this with nothing left.

Key words: Zhang Ailing; legend; play writing

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